Thursday, 13 September 2012

Games People Play, by Eric Berne

Book coverGames People Play: The Psychology of Human Relationships is a sort of summarization of previous works by Eric Berne, the "father" of Transactional Analysis. It was written in 1964, but it is very actual (barring some author views that could be construed as not politically correct in this age of sensitivity). In fact it felt to me so to the point, that I am asking myself how come I've never heard of this book before.

The idea of the book is that all people are torn between their three major components:
  • the Parent - exponent of the social environment, things that "are done" in the "proper" way
  • the Adult - who reacts to the circumstances as they change
  • the Child - the emotional being who craves satisfaction and enjoys life the most
As I see it, is a separation in things one learns from others, things one thinks for themselves and things one likes or dislikes. At the end of the book the author resorts to a similar division: the Jerk, the one that does everything based on what others would think of them, and the Sulk, the one that does everything in order to demonstrate to themselves and others that they are being mistreated by the world and they are justified in their feelings, similar to the Parent and the Child.

Then there is a presentation of Transactional Analysis, an area of psychology that feels more like economics applied to human beings, where people do things in order to settle debts or gain profit. A nice example is two people that work together and say "hi" to each other in passing whenever they meet first in the day. This is equivalent to settling a debt that each have for their level of relationship. If one of them fails to say "hi", the other will feel attacked, just as if one of the two would stop and say "well, hello! How are you?" which would also feel like an attack, one that indebts the other. These transactions are being categorized into simple transactions, pasttimes, etc.

But then the interesting part comes up. It is funny, I felt for the entire length of the read that the chapters are in the reverse order. Each chapter was more to the point and more interesting than the first. I would have organized the book starting from the introduction, then reversing the remaining chapters. The interesting part is about games, which seem like normal transactions, only they have an alternate "tricky" purpose, one that is not obvious to both people in the transaction.

Quite annoyingly, many of the games described in the book apply to the reader. One feels exposed while reading it. With a structured list of these games, one can use the book as a reference to be used for further study. Each game is presented with their purpose, their "thesis" or pretext and expectations, their actors and their "antithesis". A clear warning is sent by Berne, though: the antithesis of a game is just a way to shortcircuit it and refuse to play, not a "solution" for the problems raised by the playing of said game. Indeed, when faced with a person that refuses to play or, worse, blocks their own playing of the game, they become anxious, depressed, maybe violent, depending on how "hard" they play the game.

An interesting ending is the listing of the reasons why games exist from different standpoints: social, personal, emotional, etc. The games are learned and, in that sense, inherited from parents, then from the environment. People that play the same games stick together and people that play different games are growing apart. That pretty much explains why people that come from the same settings get to have the same social standings and work and live in the same world. Sadly, it also explains why social cases need to make enormous efforts to be accepted, to "make it".

Also, the author presents his view of the best psychological mindset, the one he calls Autonomy. It requires three ingredients: Awareness, to be able to see your surroundings as they are, not as you were taught to; Spontaneity, to be able to have access to your own thoughts, unfiltered by other mechanisms; Intimacy, to be able to share what you are, as you are. A kind of a Zen philosophy. He reckons anything less is not quite living, but only going through the motions. I am not sure how I feel about this, right now.

For me, the book was very interesting. In truth, I should reread it, or at least summarize it into a logical schema that I would add to this post. I am not sure I will do that, but I intend to. Afterwards, I would use it as a tool for introspection and for analyzing my interactions with others. Yes, but...

Sunday, 2 September 2012

TV Series I've Been Watching - Part 12

Another post in my series of series I've been watching. Seriesly.


Again, since it is obvious that I am also watching shows I don't particularly like, I will employ this colour coding scheme: red for shows I do not recommend, green for those I like.

  • Doctor Who - the first episode of season 7 was released. An interesting concept, but a rather unpleasant implementation. The writers chose to throw us directly in the midst of action and I felt there was no background and everything was disconnected. I do hope for the better.
  • Torchwood - the next season of the other Doctor Who spin-off has not started yet. I don't even know if will ever start. I would watch it then.
  • Eureka - Eureka has ended. A pretty weird finale, trying to save everything, give the show a chance for the future and also tie it to its very beginning.
  • Criminal Minds - a lot of episodes remain to be watched, two seasons worth, but I couldn't make myself watch them. I think I've had my fill of police procedurals for a while.
  • Dexter - I can't wait for the seventh season. Dexter's sister knows! It will be exciting, although I don't want another of those "Dexter is a daddy and he has a conscience" seasons.
  • Fringe - there was one episode where the Observers had conquered Earth and were behaving like good old fashioned Nazis (oh, come on! Where is your creativity?!) but it ended just as it started, out of context. The latest season of Fringe ended with hints that this is the direction the next season will take. I certainly don't want yet another WWII movie clone.
  • True Blood - season 5 just ended and it was pretty fun. There were a lot of boring episodes concerning the vampire authority that just didn't make sense and some other filler episodes, but all in all it was consistent with previous quality. Bill has become a super vamp, only he's nuts! Cool!
  • Weeds - the series has not ended yet and I am still watching it. I get tired of the American affectations of the show; I think that bothers me most about it. And the story has become unsaveable. And the lead character is seven years older than the hot MILF she started as. But I am still watching... hmm
  • The Good Wife - season 3 ended well. Unfortunately, Tony Scott died, too. I hope that doesn't affect the quality of the show. Season 4 is due to start at the end of the month.
  • Haven - season 3 of Haven is also to start at the end of the month. I will probably watch it, since I can do it with my wife, but the show has gotten stale.
  • Lost Girl - haven't watched this show for a while, even if I have a lot of episodes to see. I know it is a teenager show, but some of them work for me, too. This was too... Twittery?
  • Falling Skies - second season was OK. It's sci-fi, so I watch it, but the script doesn't make sense most of the time. A new alien species has arrived for season 3. Are they allies or foes? Or has Pamela dreamed again?
  • Southpark - the second half of the 16th season is due in October. It is one of the few comedy shows I watch and I really like it. The humour quality is not consistent, but it is great on average.
  • The Killing - still on my watch list, being a police show and all.
  • Suits - second season just ended and it was pretty far fetched.I enjoy watching it, though.
  • Breaking Bad - I have decided I will watch BB when this fifth and final season ends. I don't know why I couldn't bring myself to watch the last two seasons. Maybe because the main character is so desperate when he actually doesn't need to be.
  • Californication - the fifth season was pretty cool and it ended with Hank being poisoned. Will he survive? Doh!
  • Beavis&Butt-head - I am waiting to see if they make any more episodes. I was disappointed with the new episodes.
  • Homeland - still on my to watch list, mainly because my wife was watching it with me and she doesn't want to watch it now, but I bet she would mind if I watch it alone. And also I didn't feel like it much.
  • The Fades - BBC Three fucked up badly. They cancelled the show in favour of Being Human's fifth season. You see, it has vampires and werewolves in it. Wankers!
  • Hidden - Four episode miniseries from the BBC about the dirtyworks of the British political system. Still haven't watched it.
  • The Walking Dead - I am still watching it, and the new season seems to introduce a real threat: other live humans. Makes sense, but how nice can it be, after the emotional drama crap they pulled last season?
  • A Game of Thrones - The show is moving so fast, they had to change the story a little. At every episode I get to hear "Oy! that wasn't in the book!" from the wife. Of course it wasn't, dear, it had no pictures! Mean jokes aside, the show is solid, but better for those not having read the books.
  • Awake - I didn't start watching it an meanwhile it was cancelled. I have no idea if I will ever watch that lone season.
  • Black Mirror - it was brilliant. Three separate sci-fi stories in three stand alone episodes, but high quality stuff. I hope the Brits make more.
  • Boss - season 2 has started and I haven't seen one episode.
  • Great Expectations - three episodes in all, another take on the Great Expectations story. I thought the wife would want to watch it, but she did not. I don't think I will watch it alone and, anyway, it's not really a TV series, more like a three part movie.
  • L5 - the second episode of this VODO show still hasn't been released. I wonder if they will ever do release it. I liked the first one.
  • Mad Men - still great, I've watched the fifth season and can't wait to see the sixth. Jared Harris has left the show, and I really liked him and his character.
  • Misfits - next season is expected to start in late October. I wonder why so many of its stars left the show, but the show still goes on.
  • Pioneer One - I have no idea if there will ever be a second season. It seems they have gone dark, while on the site there is a request for funding for a new show, called Control.
  • Sherlock - I liked the first series and I will watch the second. The American's thought it was good, too, since they are making their own version, with Lucy Liu as Watson :)
  • Spartacus - Vengeance - I like the show. Seeing that the story of Spartacus is so vast, I had expected a few seasons of this. However, it was announced that the next season (called War of the Damned) will wrap up everything and end the show. Why?!
  • The River - horror TV show that I didn't watch, mainly because it was cancelled after the first season. I still might.
  • Todd and the Book of Pure Evil - I liked the first season, but then it got a little old. The show was cancelled after the first two seasons.
  • Touch - I have watched a few episodes of this. I can say that I did not like it. Keifer Sutherland is always out of breath in order to "act" emotion, but all he manages to do is make one wonder if he has a lung condition. The child is annoying. The story is, basically, that the child is magic and the people around him "help" him ... err... be magic? Only it's not magic, it's math, patterns and cell phones. Really.

Now for new shows:
  • My Babysitter's a Vampire - Another Canadian fantasy comedy show. And it's better than Todd and the Book of Pure Evil! Well, it's basically True Blood in a high school and made for children and young teens. But I like it! Guilty pleasure. The blonde vampire chick is hot, too.
  • Bullet in the Face - what a strange show. It's grotesquely bad acted, but in a way that makes you think they intended it like this and you are missing some kind of point. The plot revolves around a psychotic killer that gets to wear the face of the cop he killed in order to get revenge on his girlfriend who shot him in the face. It would be unconscionable to recommend it, but I watched two episodes. anyway.
  • Continuum - A sci-fi show! Yay! With cops! Boo! Actually, the premise is pretty interesting and the lead actress hot. But it feels like a police procedural either way, which sucks. The plot is that a bunch of future terrorists and a cop are teleported back to our times. The terrorists terrorize, while the cop tries to catch them. Only some of the twists and some of the scripts are painfully bad. I watch it, since it's sci-fi, but it hurts a little.
  • Copper - a BBC America drama about Irish immigrants during the American civil war. And set in New York (where else?). Have not started watching it, yet, but it's fresh.
  • Longmire - another show about a cop. Only it doesn't feel that way. I actually look forward to the episodes of Longmire. The show is about a small town sheriff and it is based on actual books (you know, paper things with letters on it). The actors play well, the stories are good and the first season had only 10 episodes, so they each were good quality.
  • Perception - another House/LieToMe clone, with this intelligent and charismatic, yet weird and rude, professor that specialises in human perception. And he helps the police solve cases. Bleah!
  • Political Animals - this is a pretty neat show, even if it is about American politics seen from within a family that is filled with political people. It is not always exciting, but I like watching it, for now.
  • Scandal - political thriller made by the people behind Grey's Anatomy. I haven't started watching it.
  • The Newsroom - this is one of those shows that decries some aspect of American life by showing us there are exceptions to the rule, which invalidates the rule and makes us all feel good. In Romania we have this saying that the exception confirms the rule, so... Anyway, it is about unconventional people working to make "real news" and fighting corporate interests that push them to do crappy popular bullshit in order to gain ratings. People are very smart, quick, socially inept, endearing, quoting statistics and old English poetry and totally fake.

That ends this post. How much time am I wasting in order to watch all these shows? Well, it took me an hour and a half just to write about it, so you do the math.

Friday, 31 August 2012

Ship of Fools, by Richard Paul Russo

Book cover Ship of Fools is a sci-fi book written by Richard Paul Russo. It reads a lot like a journal, written in the first person, with little (or badly evoked) emotional involvement or dynamic action. Add to this that the main character is called Bartolomeo and he is on board of a ship with no history and going nowhere in particular, where there is always a struggle between the captain and the bishop and the people of the lower class, and you kind of get the impression you are reading a Spanish crewman ship log adapted to science fiction. The low focus on technology and the way people are thinking and acting increases the feeling that this is something futuristic only by accident, and the reality of it is some feudal world, only milder than one would expect those dark times to have been. Somewhere in the second half of the book the plot veers slightly towards Event Horizon, an opportunity to make some biblical references. Even then, the book is written in the same linear and descriptive way, despite being in the first person.

The title comes from a long existing concept in Western literature, usually depicting a bunch of ridiculous people travelling together, but without an aim, and also characterizing the society from which they came as a whole. However, the book doesn't really feel like a satire and the fact that it won the Philip K. Dick award in 2001 makes me think that maybe I missed something.

Bottom line: An interesting subject, but approached in a manner that I did not enjoy very much. I could empathize with the main character, but only to a point. When actual technical decisions were made, I thought everybody was kind of stupid. Luckily enough, it is not part of any series, it is a standalone book.

Thursday, 30 August 2012

The myth of the almighty inline style in HTML

To my shame, I've lived a long time with the impression that for an HTML element, a style attribute that is written inline always beats any of the CSS rules that apply to that element. That is a fallacy. Here is an example:
<style>
div {
width:100px;
height:100px;
background-color:blue !important;
}
</style>
<div style="background-color:red;"></div>
What do you think the div's color will be? Based on my long standing illusion, the div should be red, as it has that color defined inline, in the style attribute. But that is wrong, the !important keyword forces the CSS rule over the inline styling. The square will actually be blue! And it is not some new implementation branch for non-Internet Explorer browsers, either. It works consistently on all browsers.

Now, you might think that this is some information you absorb, but doesn't really matter. Well, it does. Let me enhance that example and change the width of the div, using the same !important trick:
<style>
div {
width:100px !important;
height:100px;
background-color:blue !important;
}
</style>
<div style="background-color:red;"></div>
<script src="http://ajax.googleapis.com/ajax/libs/jquery/1.7.2/jquery.min.js"></script>
<script>
$(function() {
// $('div').width(200); // the width remains 100!
// $('div').width('200px'); // the width remains 100!
// $('div')[0].style.width='200px'; // the width remains 100!

// $('div').width('200px !important'); //this is not a valid value for the width parameter! in IE it will even show an error
// $('div').css('width','200px !important'); //this is not a valid value for the width parameter! in IE it will even show an error
// $('div')[0].style.width='200px !important'; //this is not a valid value for the width parameter! in IE it will even show an error

var oldStyle=$('div').attr('style')||'';
$('div').attr('style',oldStyle+';width: 200px !important'); // this is the only thing I found to be working!

});
</script>
As you can notice, the might jQuery failed, setting the width property in style failed, the only solution was to add a string to the style tag and override the !important keyword from the CSS with an inline !important keyword!

Update (via Dan Popa): And here is why it happens: CSS Specificity

Dilbert

I've heard about Dilbert as this corporate satire comic that is very funny. I've avoided it as much as possible, probably because I was afraid it would make fun of my way of life and find it makes valid points. Today, I succumbed to my curiosity and clicked a YouTube Dilbert video.



Conclusion: I am Dilbert...

Monday, 27 August 2012

Neil Armstrong is dead.

Apparently it is the week of eulogies on my blog. Neil Armstrong died on August the 25th. You may remember him: he was the guy that first stepped on the Moon. I didn't know the guy, other people say he was inspiring, a great person and other things like that. A good emotional blog post you can read at the Bad Astronomy site.

But I think that his death, at 82 years of age, is less relevant than the fact we stopped going to the Moon. From the dirty dozen that walked on a space body other than Earth, only 8 remain alive and they are, without exception, born in the early 1930s, so all around 80 years old. Depending on many factors that usually cancel out, these people have around a decade of life left in them, so expect that in 10 years or less we will have no man on Earth that went anywhere else. The death of the last man to have walked on the Moon would be even sadder than Neil's.

That's not only romantically ugly, emotionally wrong, it is plain stupid. It's like we close our senses, humanity as a whole, to the options we have, to the alternatives laid out right in front of us. We act like those retarded tourists that go to an exotic location only once in their life and they return with "Meh! No one spoke English, I didn't have the guts to try the food and the service was crap". Forget the accounting bottom lines and the terribilistic "We gotta stop putting our eggs in a single basket", just think that in a few years we, as the human race, we'll have forgotten what it is like to step on the Moon, the experience gone from our collective memory. We will just sit there, on the bloody couch, counting our money and looking at the picture of the imprint of Neil Amstrong's foot, a simple postcard to replace memories lost.

Sunday, 26 August 2012

Blindsight, by Peter Watts

Yes! Another good sci-fi book. Blindsight is a hard science fiction standalone novel in which, using the idea of contact with an impossibly alien species as a pretext, Peter Watts discusses hard subjects like the future of humanity and its very definition, the nature of conciousness and the difference between intelligence and self awareness. It also features vampires (ugh!), but with a good scientific background and true relation to the plot.

There is no romance in this bleak and autopsic book, where the essence of all the characters gets dissected to complete the tableau of the human race under cold fluorescent lighting. Good stuff! But one gets to expect this from Canadian writers, eh? :)

The other cool reason why you should read the book is that it is free at Watts' site: Blindsight. Enjoy!